LAST ONE
GAME OF THRONES (apparels)
Joe Van Wetering
*The apparels of Game of Thrones
Limited edition print, one copy available out of 35
Fine Art Glicée 25cm x 20cm
Eur. 90
*The apparels of Game of Thrones
Limited edition print, one copy available out of 35
Fine Art Glicée 25cm x 20cm
*PSYCHO (MONDRIAN)
Directed by Alfred Hitchcock
Digital illustration on 100 lb cover.
Hand-signed.
Size 28 cm x 43 cm.
*MILLER’S CROSSING (trees)
Directed by Coen Brothers
Fine Art on archival paper, limited edition. One copy available out of 25
Size 61 cm x 29 cm.
*MOVIE CYBORGS (POLISH)
Limited edition print (350).
Original Polish poster. Year of print: 2014
Size 98 cm x 68 cm.
*Old boy
Regia di Park Chan-wook
Opera a tiratura limita. Esemplare 17 su 50.
Serigrafia firmata e numerato a mano dall’Artista.
Formato 61cm x 41 cm.
Nicolas Delort – “The Mummy”
Screen print edition
45cmx61cm
Edizione a tiratura Limitata (esemplare numero 64/125)
Numerata a manotri.
*The apparels of Frozen
Limited edition print, one copy available out of 35, signed and numbered
Fine Art Glicée 25cm x 20cm
Soggettiva Gallery inaugurates the new year and the 2025 season with an unmissable tribute to Stanley Kubrick with an extraordinary exhibition: “STANLEY KUBRICK 2025 – A dream is never just a dream”, a journey through the cinematic legacy of one of the greatest directors of all time. From January 8 to March 9, 2025, the gallery will host 50 unreleased alternative movie posters in limited edition, inspired by Kubrick’s filmography and created by over 20 international artists. The exhibition is born from the idea that Kubrick’s films still speak with impressive lucidity of our present. Each of his works contains a vision of the future, a lesson, a warning. The artists involved have reinterpreted this legacy through their works, offering a personal perspective on timeless themes such as power, war, identity. His influence also extends to aesthetics and customs, intervening on language and the collective imagination.
Barry Lyndon and The Shining: anniversaries of two timeless masterpieces
2025 marks two important anniversaries in Kubrick’s career: the 50th anniversary of Barry Lyndon, a work that, although considered his true masterpiece by critics, has often been overshadowed by the media success of his most famous titles, including The Shining. The latter, which is celebrating its 45th anniversary, is still at the top of the charts of the scariest films of all time, a work that redefined the horror genre with its stylistic perfection. The exhibition will also pay homage to the director’s entire production; from 2001: A Space Odyssey to A Clockwork Orange; from early works such as The Killing, Paths of Glory, Lolita, through Full Metal Jacket to his last enigmatic film, Eyes Wide Shut.
Also a January in theatre: Dr. Strangelove in London at the Coward Theatre. On display are works dedicated to Dr. Strangelove and in parallel it is possible to applaud the theatrical adaptation, always current, with an exceptional Steve Coogan in the role of Peter Sellers.
Kubrick and beyond: cinematic tributes and inspirations
The exhibition also includes works dedicated to directors and works that inspired him or were influenced by him. Among these Nolan, Tarantino, Fincher, Scorsese and Wes Anderson, reinterpreted in the alternative movie posters by the artists. Among these, the alternative poster of The Seven Samurai by Casey Callender stands out, a tribute to Akira Kurosawa, a fundamental author for Kubrick. It will be an opportunity to celebrate the 70th anniversary of the Japanese masterpiece, restored by the Cineteca di Bologna and released in theaters on January 13, 2025.
Between masks, disguises and dreams: Carnival according to Kubrick
From February 8 to March 9, Soggettiva Gallery will celebrate Carnival 2025 with a section of works dedicated to masks, costumes and disguises. These elements, central to Kubrick’s poetics, reflect the dichotomy between dream and reality, masterfully explored by Eyes Wide Shut. Joe Van Wetering will be the protagonist with his personal “Evolution Of”, composed of ten tables on iconic costumes and accessories from cinema and TV series. From James Bond to Frozen, from Game of Thrones to Kill Bill and Star Trek.
FILMS, ARTISTS, WORKS
Barry Lyndon, a sumptuous and often overlooked masterpiece, celebrates 50 years with two extraordinary works. Veronica Chessa creates a “collector’s” piece: a precious porcelain figurine depicting the Lyndon couple on a pedestal with a rural background, while Nick Charge dedicates a touching work to the melancholic and resigned Lady Lyndon.
The Shining is one of the films that has provided the most creative “shine” to the artists on display. Todd Alcott, with his irreverent poster of the “Shining Bourbon” at the Overlook bar. The cult scene “Here’s Johnny” inspires different graphic interpretations: Jerome Caskts tells it like a page of a graphic novel, while Max Dalton presents it as an illustrated screenplay. NateMoonLife and Doaly, instead, play with the obsessive repetition of the famous “the early bird catches the worm”; while the architecture of Chris McGuire’s frozen labyrinth and Michael Styles’ snowy hotel capture the menacing atmosphere. From snow to Christmas: Veronica Chessa with a snow globe of the disturbing twins, while Adam Juresko reinterprets the purple waterfall of the elevator that invades the famous final group photo.
A Clockwork Orange has left a deep mark on the collective imagination, thanks also to the Korova Milk Bar, an iconic place that combines a futuristic aesthetic with a provocative and disturbing charge. This space is celebrated in the works of Mark Borgions and Stella Ygris. No less central is the Moloko Vellocet – the “milk +” –, a drink as symbolic as it is disturbing. Jorsh Peña, John F. Malta and NateMoonLife reproduce psychedelic and dystopian atmospheres. James Hobson transforms Dude Alex into a musical note on Beethoven’s score, underlining the centrality of music; while Sarah Sumeray makes fun of the “Ludovico Technique” with a vintage advertisement for the disturbing “method”.
2001: A Space Odyssey explores other worlds and new visions, remaining one of the most enigmatic and revolutionary works in the history of cinema. HAL 9000 is the protagonist of many works: Anthony Petrie represents its malfunction, while Fernando Reza imagines an ironic trial entitled People of the Earth vs HAL 9000, in which the artificial intelligence finds itself answering for its actions. Jason Yang celebrates HAL’s heartbreaking farewell to Dave Bowman. The Monolith and the monkeys, fundamental elements of a symbolic narrative, are at the center of the works of Stella Ygris, Nick Runge and Rich Davies.
Kubrick’s other masterpieces are no less. The loot of The Killing is reinterpreted by Michel Stiles, the war of Paths of Glory by Scott Saslow and the glasses of Lolita by Matteo Costa. and of course the bomb of Dr. Strangelove in the works of Adam Juresko and Ale Giorgini. On Eyes Wide Shut, Stephen Andrade’s work celebrates the mystery and sensuality of the film through a graphic interpretation that recalls the cover of a vintage magazine. Masks, a key symbol of the film, are the protagonists of the works of Nick Charge and Le Nevralgie Costanti, which explore the theme of disguise and fiction, central to Kubrick’s poetics. Finally, the works of Utopian Movies imagine a Shining directed by Wes Anderson and a prequel to 2001: A Space Odyssey, thanks to the visionary use of artificial intelligence.
INFO
SOGGETTIVA GALLERY
Via Pasquale Sottocorno 5/A, 20122 Milano
3357722437 – 3458463222 – 3342378116
Opening hours:
Monday: 15.45 – 19.45
Tuesday – Friday: 10 – 13.30 / 15.45 – 19.45
Saturday and Sunday: 10.30 – 13.30 / 15.45 – 19.45
Soggettiva Gallery inaugurates the new year and the 2025 season with an unmissable tribute to Stanley Kubrick with an extraordinary exhibition: “STANLEY KUBRICK 2025 – A dream is never just a dream”, a journey through the cinematic legacy of one of the greatest directors of all time. From January 8 to March 9, 2025, the gallery will host 50 unreleased alternative movie posters in limited edition, inspired by Kubrick’s filmography and created by over 20 international artists. The exhibition is born from the idea that Kubrick’s films still speak with impressive lucidity of our present. Each of his works contains a vision of the future, a lesson, a warning. The artists involved have reinterpreted this legacy through their works, offering a personal perspective on timeless themes such as power, war, identity. His influence also extends to aesthetics and customs, intervening on language and the collective imagination.
Barry Lyndon and The Shining: anniversaries of two timeless masterpieces
2025 marks two important anniversaries in Kubrick’s career: the 50th anniversary of Barry Lyndon, a work that, although considered his true masterpiece by critics, has often been overshadowed by the media success of his most famous titles, including The Shining. The latter, which is celebrating its 45th anniversary, is still at the top of the charts of the scariest films of all time, a work that redefined the horror genre with its stylistic perfection. The exhibition will also pay homage to the director’s entire production; from 2001: A Space Odyssey to A Clockwork Orange; from early works such as The Killing, Paths of Glory, Lolita, through Full Metal Jacket to his last enigmatic film, Eyes Wide Shut.
Also a January in theatre: Dr. Strangelove in London at the Coward Theatre. On display are works dedicated to Dr. Strangelove and in parallel it is possible to applaud the theatrical adaptation, always current, with an exceptional Steve Coogan in the role of Peter Sellers.
Kubrick and beyond: cinematic tributes and inspirations
The exhibition also includes works dedicated to directors and works that inspired him or were influenced by him. Among these Nolan, Tarantino, Fincher, Scorsese and Wes Anderson, reinterpreted in the alternative movie posters by the artists. Among these, the alternative poster of The Seven Samurai by Casey Callender stands out, a tribute to Akira Kurosawa, a fundamental author for Kubrick. It will be an opportunity to celebrate the 70th anniversary of the Japanese masterpiece, restored by the Cineteca di Bologna and released in theaters on January 13, 2025.
Between masks, disguises and dreams: Carnival according to Kubrick
From February 8 to March 9, Soggettiva Gallery will celebrate Carnival 2025 with a section of works dedicated to masks, costumes and disguises. These elements, central to Kubrick’s poetics, reflect the dichotomy between dream and reality, masterfully explored by Eyes Wide Shut. Joe Van Wetering will be the protagonist with his personal “Evolution Of”, composed of ten tables on iconic costumes and accessories from cinema and TV series. From James Bond to Frozen, from Game of Thrones to Kill Bill and Star Trek.
FILMS, ARTISTS, WORKS
Barry Lyndon, a sumptuous and often overlooked masterpiece, celebrates 50 years with two extraordinary works. Veronica Chessa creates a “collector’s” piece: a precious porcelain figurine depicting the Lyndon couple on a pedestal with a rural background, while Nick Charge dedicates a touching work to the melancholic and resigned Lady Lyndon.
The Shining is one of the films that has provided the most creative “shine” to the artists on display. Todd Alcott, with his irreverent poster of the “Shining Bourbon” at the Overlook bar. The cult scene “Here’s Johnny” inspires different graphic interpretations: Jerome Caskts tells it like a page of a graphic novel, while Max Dalton presents it as an illustrated screenplay. NateMoonLife and Doaly, instead, play with the obsessive repetition of the famous “the early bird catches the worm”; while the architecture of Chris McGuire’s frozen labyrinth and Michael Styles’ snowy hotel capture the menacing atmosphere. From snow to Christmas: Veronica Chessa with a snow globe of the disturbing twins, while Adam Juresko reinterprets the purple waterfall of the elevator that invades the famous final group photo.
A Clockwork Orange has left a deep mark on the collective imagination, thanks also to the Korova Milk Bar, an iconic place that combines a futuristic aesthetic with a provocative and disturbing charge. This space is celebrated in the works of Mark Borgions and Stella Ygris. No less central is the Moloko Vellocet – the “milk +” –, a drink as symbolic as it is disturbing. Jorsh Peña, John F. Malta and NateMoonLife reproduce psychedelic and dystopian atmospheres. James Hobson transforms Dude Alex into a musical note on Beethoven’s score, underlining the centrality of music; while Sarah Sumeray makes fun of the “Ludovico Technique” with a vintage advertisement for the disturbing “method”.
2001: A Space Odyssey explores other worlds and new visions, remaining one of the most enigmatic and revolutionary works in the history of cinema. HAL 9000 is the protagonist of many works: Anthony Petrie represents its malfunction, while Fernando Reza imagines an ironic trial entitled People of the Earth vs HAL 9000, in which the artificial intelligence finds itself answering for its actions. Jason Yang celebrates HAL’s heartbreaking farewell to Dave Bowman. The Monolith and the monkeys, fundamental elements of a symbolic narrative, are at the center of the works of Stella Ygris, Nick Runge and Rich Davies.
Kubrick’s other masterpieces are no less. The loot of The Killing is reinterpreted by Michel Stiles, the war of Paths of Glory by Scott Saslow and the glasses of Lolita by Matteo Costa. and of course the bomb of Dr. Strangelove in the works of Adam Juresko and Ale Giorgini. On Eyes Wide Shut, Stephen Andrade’s work celebrates the mystery and sensuality of the film through a graphic interpretation that recalls the cover of a vintage magazine. Masks, a key symbol of the film, are the protagonists of the works of Nick Charge and Le Nevralgie Costanti, which explore the theme of disguise and fiction, central to Kubrick’s poetics. Finally, the works of Utopian Movies imagine a Shining directed by Wes Anderson and a prequel to 2001: A Space Odyssey, thanks to the visionary use of artificial intelligence.
INFO
SOGGETTIVA GALLERY
Via Pasquale Sottocorno 5/A, 20122 Milano
3357722437 – 3458463222 – 3342378116
Opening hours:
Monday: 15.45 – 19.45
Tuesday – Friday: 10 – 13.30 / 15.45 – 19.45
Saturday and Sunday: 10.30 – 13.30 / 15.45 – 19.45
*Movie apparel of 1988
Limited edition print, one copy available out of 40
Fine Art Glicéè 45cm x 61cm
*Inspired by Who Framed Roger Rabbit, They live, Die Hard, Beetlejuice, Akira, Big, Mystic Pizza, Bull Durham,
*Dracula by Bram Stoker
Directed by F.F.Coppola
Limited edition print, one copy available out of 20
Fine Art Glicéè 31cm x 41cm
*Inspired by…
*Twin Peaks (Special offer)
Directed by David Lynch
Limited edition print by Adam Juresko.
Signed by the artist
Fine Art 60cm x 90cm
*Inspired by…
**THE POSTER SHOWS SOME MARKS
Adam Juresko is an artist and designer from Virginia. His work took shape from the reworking of fanzine graphics and punk-hardcore album covers. After starting to design flyers for bands, Adam’s enthusiasm for building paper collages turns into a passion, drawing album covers across the US.
SOLD OUT
FULL METAL JACKET (RIFLE)*
Directed by Stanley Kubrick
Fine Art print, limited edition.
1 copy available out of 65.
Size 46 cm x 61 cm.
*Old boy
Regia di Park Chan-wook
Opera a tiratura limita. Esemplare 17 su 50.
Serigrafia firmata e numerato a mano dall’Artista.
Formato 61cm x 41 cm.
Nicolas Delort – “The Mummy”
Screen print edition
45cmx61cm
Edizione a tiratura Limitata (esemplare numero 64/125)
Numerata a manotri.
NATHAN CHESSHIR
Nathan Chesshir è un artista freelance, grafico e animatore di Los Angeles, California. Collabora con i principali editori negli USA
Nathan Chesshir is a freelance artist, graphic designer, and animator from Los Angeles, California. He works with main editors in USA
La storia di Micheal inizia nel sud della California dove è cresciuto tra cartoni animati, fumetti, libri, giochi, film, televisione e cultura pop. Ha iniziato a disegnare in tenera età, influenzato dai suddetti media, e alla fine ha seguito un’educazione artistica. Da allora ha appreso le competenze tradizionali e le ha tradotte nel mondo digitale dove svolge la maggior parte del suo lavoro. Oltre all’illustrazione, ha due decenni di esperienza nella tipografia commerciale. Collabora con Netflix, Nickelodeon Animation Studios, Focus Features, Monty Python, The Los Angeles Public Library.
Michael’s story begins in Southern California where he grew up with cartoons, comics, books, games, movies, television and pop culture. He started drawing at an early age, influenced by the above media, and eventually followed an artistic education. Since then he has learned traditional skills and translated them into the digital world where he does most of his work. In addition to his work as an illustrator, he has two decades of experience in commercial printing. Works with Netflix, Nickelodeon Animation Studios, Focus Features, Monty Python, The Los Angeles Public Library.
Mark Borgions (1967) è un pluripremiato illustratore e animatore che lavora con i principali clienti dell’industria dell’intrattenimento e per le gallerie di tutto il mondo. È anche un noto illustratore di libri per bambini. Vive e lavora nelle Fiandre, in Belgio.
Mark Borgions (1967) is an award-winning illustrator and animator who works with leading customers in the entertainment industry and galleries around the world. He is also a well-known illustrator of children’s books. He lives and works in Flanders, Belgium.
Ryszard Kaja (Poznan, 1962) è un pittore, artista, scenografo e costumista polacco. Ha studiato all’Accademia di Belle Arti di Poznan nel 1984 e si è laureato in pittura con Norbert Skupniewicz. Ryszard Kaja è considerato uno dei più prolifici designer di poster contemporanei della Polonia. Seguendo la tradizione di suo padre Zbigniew Kaja, artista e membro dell’acclamata “Polish Poster School”, Kaja dipinge i suoi poster usando tecniche miste: penna, matita, inchiostro, fondi di caffè, tè, cenere. Ha prestato servizio come giurato per molte biennali di poster. Ryszard vive a Breslavia.
Ryszard Kaja (Poznan, 1962) is a Polish painter, artist, stage and costume designer. He studied at the Academy of Fine Arts in Poznan in 1984 and graduated in painting under Norbert Skupniewicz. Ryszard Kaja is considered one of the most prolific contemporary poster designers in Poland. Following the tradition of his father Zbigniew Kaja, an artist and member of the acclaimed “Polish Poster School”, Kaja paints his posters using mixed media: pen, pencil, ink, coffee grounds, tea, ash. He has served as a juror for many poster biennials. Ryszard lives in Wroclaw.
Graphic designer californiano, specializzato in alternative movie poster, progetti per scenografie teatrali, packaging per home-video e oggetti da collezione ispirati a fenomeni di cultura pop. Tra le suo collaborazioni: Arrow Video, Kino Lorber, Fun City Editions, Carlotta Films, Leroy & Rose.
California-based graphic designer specializing in alternative movie posters, theater set designs, home video packaging, and pop culture-inspired collectible art. His collaborations include: Arrow Video, Kino Lorber, Fun City Editions, Carlotta Films, Leroy & Rose.
Prima di passare al cinema, Chris ha lavorato come illustratore, esponendo spesso nelle rinomate gallerie d’arte della cultura pop di Los Angeles “Hero Complex Gallery” e “Gallery 1988”, producendo opere d’arte ufficiali per 20th Century Fox, Joss Whedon, Joe Dante e Roger Corman. Successivamente ha lavorato come assistente del dipartimento artistico per clienti come Virgin Media, Now TV, Little Mix e Jamie T. Il suo primo cortometraggio “Nest” è stato semifinalista al “Berlin Student Film Festival”, dove è stato nominato per il Premio della Giuria.
Before moving on to film, Chris worked as an illustrator, often exhibiting in the renowned Los Angeles pop culture art galleries “Hero Complex Gallery” and “Gallery 1988”, producing official artwork for 20th Century Fox, Joss Whedon, Joe Dante and Roger Corman. He later worked as an assistant in the art department for clients such as Virgin Media, Now TV, Little Mix and Jamie T. His first short film “Nest” was a semifinalist at the “Berlin Student Film Festival”, where he was nominated for the Jury Prize.
Da ragazzo Steven era un fan dei fumetti. Ha iniziato prendendo lezioni di illustrazione del fumetto presso la Heron Art School di Indianapolis. Fu solo al college presso la School Of The Art Institute di Chicago che scoprì il suo amore per la serigrafia. Ha disegnato di tutto, dalla fan art, alle stampe dei film con licenza ufficiale, ai poster per i concerti. Il suo lavoro è stato esposto in diverse mostre collettive dedicate a vari temi cinematografici.
As a boy Steven was a fan of comics. He started by taking comic illustration classes at the Heron Art School in Indianapolis. It was only in college at the School Of The Art Institute in Chicago that he discovered his love for screen printing. He’s drawn everything from fan art, to prints of officially licensed films, to concert posters. His work has been exhibited in several collective exhibitions dedicated to various film topics.
Max Dalton, illustratore, pittore e musicista e scrittore occasionale. Crea spesso illustrazioni per poster, libri, riviste, giornali, pubblicità e prodotti.Ha partecipato a molte mostre collettive e personali a New York, San Francisco, Los Angeles, Arizona, Parigi, Seoul e altro ancora. Il suo lavoro è apparso in molte riviste come The New Yorker, Monocle e O, The Oprah Magazine.
Max Dalton is an illustrator, painter, musician and writer. He often designs for posters, books, magazines, newspapers, advertisements and products. He has participated in many group and solo shows in New York, San Francisco, Los Angeles, Paris, Seoul and elsewhere. His work has appeared in magazines such as The New Yorker, Monocle and O, The Oprah Magazine.
Olivier Courbet è un creativo multidisciplinare francese con sede a Los Angeles, California. Lavora con marchi, agenzie, studi cinematografici e startup di tutto il mondo tra cui Dreamworks, Paramount, Disney, Mattel, Will.I.AM e NBA. Ha vinto numerosi premi e il suo lavoro è stato descritto in vari libri e pubblicazioni di design tra cui Computer Arts, Logology, SXSW.
Olivier Courbet is a multidisciplinary French creative artist based in Los Angeles, California. He works with brands, agencies, film studios and start-ups around the world including Dreamworks, Paramount, Disney, Mattel, Will.I.AM and NBA. He has won numerous awards and his work has been featured in various books and design publications including Computer Arts, Logology, SXSW.
Nan Lawson è un’artista e illustratrice con sede a Los Angeles. Si è laureata in regia cinematografica alla Syracuse University, ma dopo la laurea ha perseguito la sua passione per l’illustrazione. Ora ha unito il suo amore per il cinema e l’arte per dedicarsi alla cultura pop e alla locandina. Lavora nell’editoria e nell’industria dell’intrattenimento; crea libri illustrati e copertine di libri, oltre a opere d’arte e manifesti per film e televisione.
Ha lavorato con clienti tra cui Harper Collins, Audible, Random House, Hachette, Amblin Entertainment e Warner Bros.