ALTERNATIVE MOVIE POSTER AND LIMITED EDITIONS
ONGOING EXHIBITION 🎨
(UNTIL SEPTEMBER 30th)
🦅 HITCHCOCK’S VERTIGO 🔪
☀️ MIDSUMMER’S CINEMA 🎥
🎭 MOVIE FACES 🎭
Soggettiva Gallery pays hommage to cinematic portraits
🇺🇸 AMERICAN MOVIE PLACES 🏛️
from New York to Los Angeles: a journey through cinema and the United States
Moonlight Over Las Palmas by George Townley
Beetlejuice by Casey Callender
🇯🇵 MY NEIGHBOUR MIYAZAKI AND THE FAR EAST 🦖
The Miyazaki show is enriched by works inspired by the Far East
👭🏼CINEMATIC WOMEN 👑
⏳ DUNE – PART ONE🪱TWO
🦇TIM BURTON’S NIGHTMARE❄️
MARTIN SCORSESE. KILLERS & FLOWERS ☠️💐☠️💐☠️💐
THE COEN BROTHERS +
THE BIG LEBOWSKI🎳
Since 27/8 until 30/9 the new show
HITCHCOK’S VERTIGO
with the Alternative Movie Posters of Alfred Hitchcock’s films, able to hold up entire generations of spectators glued to their seats
Soggettiva Gallery presents “Vertigine Hitchcock”, a tribute to the English director, able to influence creativity in all its forms: from videogames to comics, from contemporary art to design, from literature to fashion.
125 years after the birth of Hitchcock, nicknamed “Master of Suspense”, the exhibtion pays hommage his greatest masterpieces with a selection of Alternative Movie Posters made by international artists.
The artists on display had to confront, on the one hand, with the legacy of Hitchcock and, on the other, with that of those who have measured themselves with him before them: just think of the famous American illustrator Saul Bass.
Both Olivier Courbet and Utopian Movies were inspired by “The Birds”, the first with a work of strong dynamis, the latter by exploiting the potential offered by Artificial Intelligence. Veronica Chessa pays tribute to the film with one of her iconic “boule de neige” style paintings.
The emotion felt in front of “Vertigo” is at the center of Jonathan Burton’s works, while Zeb Love and Katherine Lam play with elements of the plot of “Rear Window”.
We could not miss “North by Northwest”, which inspired Joseph Chang with a modernist graphic style. “Rope” and “The Man Who Knew Too Much” are reinterpreted by Jack Durieux, master in the use of perspective.
Finally, two groups of works, curated by Danny Haas and Mark Borgions respectively, compose two triptychs that are coherent in terms of style and format.
