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THE MOOD FOR LOVE

THE MOOD FOR LOVE
Alternative movie poster A Love Story | Max Dalton | Soggettiva Gallery Milano

From 2/11/23 to 3/4/23

THE MOOD FOR LOVE

 THE NEW COLLECTIVE EXHIBITION CELEBRATES VALENTINE’S DAY WITH A FOCUS DEDICATED TO THE MOST SIGNIFICANT LOVE STORIES THAT CAME TO LIFE ON THE BIG SCREEN.

THE MOOD FOR LOVE

From Saturday 11 February

The title of the exhibition is taken from the film In The Mood for Love (2000) by director and producer Wong Kar-wai, whose splendid plot is the starting point for a reflection focused on the theme of love in all its many nuances. At the Soggettiva Gallery the absolute loves that have marked the history of cinema through eras, films and cinematographic genres, reinterpreted for the occasion by the variations of eleven international artists.

TRIBUTE TO WONG KAR-WAI

The exhibition opens with Silvia Cocomazzi’s tribute to Wong Kar-wai’s cinema, declined in the four works commissioned by Soggettiva Gallery and dedicated to the films In The Mood for Love (2000), Fallen Angels (1995), Happy Together (1997 ) and Hong Kong Express (1994).

A “LOVE” OF ART

Young artist Adam Juresko makes a triple lunge with his renditions of Nicolas Winding Refn’s Drive (2011), Mike Nichols’ The Graduate (1967) and Michel Gondry’s Eternal sunshine of the spotless mind, I’ll Gate.

Graphic designer and illustrator Raphael Kelly addresses the sentiment that blossomed between the human Theodore and the artificial intelligence Samantha in Spike Jonze’s Her (2013).

The unmistakable style of Colin Verdi offers a poignant interpretation of the famous Moulin Rouge (2001) by Baz Luhrman, while the work of Olivier Courbet is inspired by Days of Heaven (1978) by Terrence Malick.

The plot of Harold and Maude (1971) by Hal Ashby by Cheeky Design, while the sharp and retro design of Concepción Studios into an unprecedented vision of the great classic by Ridley Scott Blade Runner (1982).

Finally, in addition to the creation of the poster for the exhibition that brings together the most iconic couples in the history of cinema, Max Dalton is responsible for the reinterpretation of some of the most extraordinary love stories of all time: among these Titanic (1997) by James Cameron and Breakfast at Tiffany’s (1961) by Blake Edwards.

CRISTINA STIFANIC

The stylistic code of Soggettiva Gallery, which finds a constant stimulus in experimentation and dialogue with new realities, emerges in The Mood for Love with the collaboration between the Milanese artist of Croatian origins Cristina Stifanic and the Milano PrintMakers art printing house. From the confrontation the production of two unpublished works is realized, inspired respectively by The Misfits (1961) by John Houston and Mogambo (1953) by John Ford.

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LYNCH HIGHWAY

LYNCH HIGHWAY
Foto alternative movie poster del film Velluto Blu di David Lynch | Matt Ryan Tobin | Soggettiva Gallery Milano

THE WORLD OF THE MOST CULT DIRECTOR IN AMERICAN CINEMA: DAVID LYNCH

LYNCH HIGHWAY

From Tuesday 17th January  “LYNCH HIGHWAY”

THE WORLD OF THE MOST CULT DIRECTOR IN AMERICAN CINEMA: DAVID LYNCH

Soggettiva Gallery presents the new LYNCH HIGHWAY exhibition dedicated to the universe of the famous American director David Lynch (Missoula, 1946)

With a Lifetime Achievement Golden Lion awarded at the 63rd Venice Film Festival (2006) and an Academy Award for Lifetime Achievement (2019), David Lynch is one of the most significant and acclaimed figures in the elite of American cinema. Films such as The Elephant Man (1980), Dune (1984) and Mulholland Drive (2001) marked the stages of a successful career which, over the last few decades, has been able to garner both critical acclaim and applause from the general public.

WORKS OF EIGHTEEN INTERNATIONAL ARTISTS

David Lynch’s imagination through the gazes and reinterpretations of eighteen artists, emerging and not, of international origin. Fully meeting the Soggettiva Gallery style, the works of art that make up the LYNCH HIGHWAY exhibition give back to the visitor the personal vision of each artist, invited to interpret one or more films from the director’s rich production by providing their own unprecedented expressive reworking. From the melancholic snapshot that George Townley offers of Mulholland Drive to the sharp black and white spiral with which Przemek Debowski evokes Dune; from the pop atmospheres studied by Jeffrey Everett to interpret Blue Velvet and Twin Peaks to the rural landscape with which Eva Planet pays homage to The straight story 

THE “COLLECTIVE” CHORAL PROJECT AT THE START.

On this occasion, the new collaboration activated between Soggettiva Gallery and Milano PrintMakers kicks off, which takes place in the debut of the COLLETTIVA project: from the origin of the idea to the concrete production of the object.

COLLECTIVE debuts as part of the LYNCH HIGHWAY exhibition with a multi-voiced interpretation of The Elephant Man, which returns all the complexity of David Lynch’s work in a delicate reinterpretation of the theme of wonder given by the unveiling of an opening curtain.

LOST HIGHWAY RESTORATION

The Soggettiva Gallery tribute comes to life in conjunction with the debut in cinemas of the re-edition of the movie Lost Highways (1997) restored in 4K by The Criterion Collection under the supervision of David Lynch and distributed by the Cineteca di Bologna.

DAVID LYNCH AND STEVEN SPIELBERG TOGETHER IN “THE FABELMANS”

Also in the gallery are the works from the exhibition “The Spielbergs” (until 11.2.23) recalling the cameo interpretation by David Lynch (where he plays an extraordinary John Ford) in Spielberg’s latest award-winning work “The Fabelsman”, after the Golden Globe, in the running for the Oscars.
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THE SPIELBERGS

THE SPIELBERGS
11 December 2022
Foto alternative movie poster del film E.T. L'Extraterrestre di Steven Spielberg | Barry Blankenship | Soggettiva Gallery Milano

STARTING THURSDAY’ 15TH DECEMBER “THE SPIELBERGERS”. CURRENT EXHIBITION: “THE SPIELBERGERS”. FOR THE RELEASE OF THE NEW HIGHLY AWAITED  FILM, “THE FABELMANS”, DIRECTED BY STEVEN SPIELBERG, THE CURRENT EXHIBITION WILL BE ENRICHED WITH A NEW “WALL” DEDICATED TO HIM.

“THE SPIELBERGS” WILL PRESENT, IN ADDITION TO WORKS ON ET, THE JAWS AND CLOSE ENCOUNTERS OF THE THIRD KIND, DUEL, THE 3 WORKS (INDIANA JONES, CATCH ME CAN YOU AND SCHINDLER’S LIST) COMMISSIONED BY SOGGETTIVA GALLERY, IN COLLABORATION WITH FINE ART MILAN PRINTMAKERS, TO THE ARTIST TIZIANO PANTANO.

SPIELBERG AND THE CINEMA

From Thursday 15th December “THE SPIELBERGS”

“THE SPIELBERGS” presents works on “E.T.”, which turns 40 this year, (drawn by Barry Blankenship), JAWS and CLOSE ENCOUNTERS OF THE THIRD KIND (made by American artist Adam Juresko), DUEL (by the French Olivier Courbet ) the 3 works commissioned by Soggettiva Gallery, in collaboration with the Milan PrintMakers Art Printshop, from the artist Tiziano Pantano (Tizio 0.32), present at the opening evening.

Spielberg’s latest film contains a precious cameo. the legendary John Ford, dispenser of advice and passion, in The Fablemans has the face of the great David Lynch. A filrouge for Soggettiva Gallery which will open in 2023 with the new exhibition “LYNCH HIGHWAY”, dedicated to the artists who have interpreted the world of the most cult director in American cinema. The occasion is the  re-release of the film LOST HIGHWAY, restored in 4K by The Criterion Collection under the supervision of David Lynch.

 

AN UNUSUAL SPIELBERG

Tiziano Pantano (aka Tizio 0.32) studied comics at the Scuola Superiore d’Arte Applicata of the Castello Sforzesco in Milan and in addition to being a cartoonist he is also a bass and double bass musician. He has collaborated with many writers on the Milanese scene and participated in numerous group exhibitions in this area.
 
Due to retinitis pigmentosa he gradually lost his sight: for this reason in 2018, to continue drawing blind, he started making “glued drawings”. Using many cards of different shapes and colors, he creates images, choosing the components by touch and glimpsing their appearance, without knowing the final result but only imagining it.
 
For this commission by Soggettiva Gallery he realized three artworks inspired by Shindler’s List, Indiana Jones and Cath me if you can).
CHRIS BRAKE

Prima di passare al cinema, Chris ha lavorato come illustratore, esponendo spesso nelle rinomate gallerie d’arte della cultura pop di Los Angeles “Hero Complex Gallery” e “Gallery 1988”, producendo opere d’arte ufficiali per 20th Century Fox, Joss Whedon, Joe Dante e Roger Corman. Successivamente ha lavorato come assistente del dipartimento artistico per clienti come Virgin Media, Now TV, Little Mix e Jamie T. Il suo primo cortometraggio “Nest” è stato semifinalista al “Berlin Student Film Festival”, dove è stato nominato per il Premio della Giuria. 

Before moving on to film, Chris worked as an illustrator, often exhibiting in the renowned Los Angeles pop culture art galleries “Hero Complex Gallery” and “Gallery 1988”, producing official artwork for 20th Century Fox, Joss Whedon, Joe Dante and Roger Corman. He later worked as an assistant in the art department for clients such as Virgin Media, Now TV, Little Mix and Jamie T. His first short film “Nest” was a semifinalist at the “Berlin Student Film Festival”, where he was nominated for the Jury Prize.

STEPHEN LUROS HOLLIDAY

Da ragazzo Steven era un fan dei fumetti. Ha iniziato prendendo lezioni di illustrazione del fumetto presso la Heron Art School di Indianapolis. Fu solo al college presso la School Of The Art Institute di Chicago che scoprì il suo amore per la serigrafia. Ha disegnato di tutto, dalla fan art, alle stampe dei film con licenza ufficiale, ai poster per i concerti.  Il suo lavoro è stato esposto in diverse mostre collettive dedicate a vari temi cinematografici.

As a boy Steven was a fan of comics. He started by taking comic illustration classes at the Heron Art School in Indianapolis. It was only in college at the School Of The Art Institute in Chicago that he discovered his love for screen printing. He’s drawn everything from fan art, to prints of officially licensed films, to concert posters. His work has been exhibited in several collective exhibitions dedicated to various film topics. 

MAX DALTON

Max Dalton, illustratore, pittore e musicista e scrittore occasionale. Crea spesso illustrazioni per poster, libri, riviste, giornali, pubblicità e prodotti.Ha partecipato a molte mostre collettive e personali a New York, San Francisco, Los Angeles, Arizona, Parigi, Seoul e altro ancora. Il suo lavoro è apparso in molte riviste come The New Yorker, Monocle e O, The Oprah Magazine.

Max Dalton is an illustrator, painter, musician and writer. He often designs for posters, books, magazines, newspapers, advertisements and products. He has participated in many group and solo shows in New York, San Francisco, Los Angeles, Paris, Seoul and elsewhere. His work has appeared in magazines such as The New Yorker, Monocle and O, The Oprah Magazine.

OLIVIER COURBET

Olivier Courbet è un creativo multidisciplinare francese con sede a Los Angeles, California. Lavora con marchi, agenzie, studi cinematografici e startup di tutto il mondo tra cui Dreamworks, Paramount, Disney, Mattel, Will.I.AM e NBA. Ha vinto numerosi premi e il suo lavoro è stato descritto in vari libri e pubblicazioni di design tra cui Computer Arts, Logology, SXSW.

Olivier Courbet is a multidisciplinary French creative artist based in Los Angeles, California. He works with brands, agencies, film studios and start-ups around the world including Dreamworks, Paramount, Disney, Mattel, Will.I.AM and NBA. He has won numerous awards and his work has been featured in various books and design publications including Computer Arts, Logology, SXSW.

LAN LAWSON

Nan Lawson è un’artista e illustratrice con sede a Los Angeles. Si è laureata in regia cinematografica alla Syracuse University, ma dopo la laurea ha perseguito la sua passione per l’illustrazione. Ora ha unito il suo amore per il cinema e l’arte per dedicarsi alla cultura pop e alla locandina. Lavora nell’editoria e nell’industria dell’intrattenimento; crea libri illustrati e copertine di libri, oltre a opere d’arte e manifesti per film e televisione.

Ha lavorato con clienti tra cui Harper Collins, Audible, Random House, Hachette, Amblin Entertainment e Warner Bros.