{"id":34964,"date":"2023-10-13T14:43:09","date_gmt":"2023-10-13T12:43:09","guid":{"rendered":"https:\/\/soggettivagallery.com\/?p=34964"},"modified":"2023-11-02T17:47:25","modified_gmt":"2023-11-02T16:47:25","slug":"martin-scorsese-killers-flowers-news","status":"publish","type":"post","link":"https:\/\/soggettivagallery.com\/en\/martin-scorsese-killers-flowers-news\/","title":{"rendered":"MARTIN SCORSESE. KILLERS & FLOWERS"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\tMARTIN SCORSESE. KILLERS & FLOWERS\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t13 October 2023\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Soggettiva Gallery presents from Tuesday 17 October 2023 the new exhibition: MARTIN SCORSESE. KILLERS & FLOWERS<\/strong><\/h4>

dedicated to alternative movie posters and artworks inspired by the great Italian-American director and his most famous films, author of one of the most anticipated film releases of autumn: “Killers of the Flower Moon” by Martin Scorsese.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The exhibition celebrates one of the most important film releases of the fall, KILLERS OF THE FLOWER MOON by MARTIN SCORSESE.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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From Tuesday 17 October 2023\u00a0<\/p>

“MARTIN SCORSESE. KILLERS & FLOWERS\u201d<\/strong><\/p>

The exhibition MARTIN SCORSESE. KILLERS & FLOWERS, from 17 October, refers to Killers of the Flower Moon<\/strong> – the latest film by Martin Scorsese presented out of competition at the Cannes Film Festival and out in Italian cinemas on October 19 – and pays homage to the career more than five years of one of the fathers of New Hollywood and cinema contemporary.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THE ARTWORKS
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For the occasion, Soggettiva Gallery has commissioned four original works, three by Fredlobo Lopez<\/strong>, French illustrator and digital artist, and one by Stefania Gagliano<\/strong>, painter with other collaborations with the gallery: \u00a0Fredlobo has reinterpreted great classics like Raging Bull<\/strong>, The Wolf of Wall Street<\/strong> – exuberant portrait of a certain American society that recently turned 10 – and The Last Temptation of Christ.<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Stefania Gagliano<\/strong>, on the other hand, has ventured with The Age of Innocence<\/strong> – the cornerstone of the New York director’s poetics 30 years after its release in theaters – creating a limited edition print in which each copy is different from the other.
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LOSE YOURSELF IN NEW YORK (BY TAXI)
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If you love Taxi Driver<\/strong> you can not miss the unprecedented perspective through which Tomasz Majewski<\/strong> reinterpreted the film: the profile of De Niro, unforgettable in his interpretation of Travis Bickle, becomes one with the taxi service map of New York.\u00a0<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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It is again the Big Apple to be the backdrop to Gangs of New York<\/strong>: The Alternative Movie Poster by Jessica Deahl<\/strong> offers a representation, halfway between anatomical study and geographical map, of New York in the mid-nineteenth century, the scene of bloody clashes between criminal gangs.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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GANGSTERS WANNABE
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For his third feature, Scorsese takes a looser approach to storytelling. With Mean Streets<\/strong> we don’t witness the epic rise and fall of powerful criminals, but the daily events of a group of low-level mafia. In Mean Street we can admire in an unfinished form the style of whom will soon become a Maestro.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ONE OF HIS DARKEST MOVIES
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Shutter Island<\/strong> is one of Martin Scorsese\u2019s most gothic, claustrophobic and airtight films. A relentless psycho-thriller, where not a single minute passes without that sense of anguish recreated also and above all with precise images, in which the blinding light alternates with the pitch dark.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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overdose of images and sounds<\/strong><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Casino<\/strong> marks a clear break from Scorsese\u2019s cinematic past: the hyperrealism of the narration, the violent and grotesque staging, the syncopated and frenetic montage stop being characteristic of a style and become an integral part of a story, a way of narrating events. Casino is like an immersion in apnea, a crazy and desperate race without moments of pause, an overdose of images, words, sounds.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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INFO<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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SOGGETTIVA GALLERY<\/b><\/p>

Via Pasquale Sottocorno 5\/A, 20122 Milano<\/p>

3357722437 \u2013 3458463222<\/p>

info@soggettivagallery.com<\/a>\u00a0<\/span><\/p>

www.soggettivagallery.com<\/a>\u00a0<\/span><\/p>

Opening hours: from Tuesday to Friday 10 \u2013 20.30
Saturday and Sunday 10-13.30 \/ 16-19.30<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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